Back then, there were no garish Austin Powers connotations, and when I first got my lava lamp it felt like a terribly grown-up and edgy accessory for the bedroom I had in the attic at my parents' house. No one else I knew had one. Plus mine was an original – found in a junk shop on the outskirts of southeast London – and looked very like the early model pictured below. It had a faded, coppery sheen to the base which I prefered to the bright, shiny silver-coloured designs available new.
make your own. The precise ingredients for the lamp filling are a Mathmos secret). The lamp still made it just about intact through many moves, though, from two different campus bedrooms at university in Norwich, to several chaotic student house-shares, a year abroad in Paris for my course, and the bedroom in my first grown-up home in a rented flat in Brixton. Having cherished it for so many years, I am surprised I don't know what became of it in the end.
So I shall raise a glass to the company that gave me mood-lighting, a misplaced sense of sophistication and a conversation piece – or at least something to stare at if conversation dried up or your guests got too stoned.
Meanwhile, some facts you might not know about Mathmos – and a little film (launched yesterday at Design Junction) showing how the lamps are (still) hand-made at locations around Britain.
1. The music in this film is from Barbarella, which is also where the word used for the name of the company came from (the film features a lake of lava, named Mathmos).
2. There is currently a 2.4 metre tall version on display in the Southbank shop inside London's Royal Festival Hall.
4. When not making trippy lamps, Craven-Walker, quite the eccentric: "flew helicopters, drove a fire engine, was a WW2 pilot, an accountant, entertained the case of 60s musical Hair", according to Mathmos. He also ran a nudist camp in Dorset. (Folklore has it that he attempted to ban the very overweight from his camp who, he believed, did not represent the ideals of a healthy spiritual and physical life.)
5. As part of Craven-Walker's interest in naturism, he also made underwater naturist films, evading 50s and 60s censorship by not showing pubic hair.