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Showing posts with label Ryland Peters and Small. Show all posts
Showing posts with label Ryland Peters and Small. Show all posts

Grown up pastels

In theory, I'm not big on pastels: they make me think of replica 1950s interiors, with gaudy pistachio and candy floss shades, or shabby chic Cath Kidston-esque florals and hipster cocktails served in tinkly old china cups and saucers. 

All a bit girlie for me, so I wasn't sure what I'd make of Selina Lake's new book 'Pretty Pastels' (Ryland, Peters & Small)... and then I opened it.

All images by Catherine Gratwicke and taken from 'Pretty Pastel Style' by Selina Lake, with permission from Ryland, Peters & Small

While there is lots of pink and hand-made bunting (which Selina, admittedly does do very well, even if you're not mad about that sort of thing; for reference, see her last book 'Homespun Style', which I really loved), there are some very modern pastel-themed pages to inspire too.

I love the juxtapositions in this room, above, which takes pastel merely as a starting point and then runs with it. The Art Deco-y table is such a strong design that it could look like a pastiche in a period-matched setting; instead, the modern sofa and clean white walls give it the gravitas it deserves. The blue floral fabric picks up the pink and black, but subtly – which links it to the table and creates cohesion without a whiff of twee. Adding a flash of red in one of the chairs and a cushion also works really well (anyone who ever told you not to mix red and pink... ignore them): this manages not to be overly matchy-matchy, which can look cloying, while hanging together soothingly.

The simplicity of this corner is beautiful. A few yellow accessories is all it needs to join up the dots with the chair. If the piano was jet black, it could risk looking bumble-bee bright (and nothing wrong with that if you can pull it off), but I like that the wood is, instead, very, very, very dark brown and softly battered. But also that the yellow-painted chair, the bowls and the black electrical equipment are pristine. Opposites like these little details give a room balance – again, without meticulous matching.

Again, the trick here is in the contrasts: girlie colours, but elegant, grown-up lines in that gorgeous lamp. And a flash of anchoring black to tone down the floral vibe and stop everyone floating off on a puff of candy floss: a lovely way to do pretty without it looking fluffy.

This kitchen uses neutrals interestingly: dove grey (on the back wall), white (the Ikea drawers) and cream (on the wood-panelling). It's not an obvious combination, but the effect is that these tonal variations add depth and texture without crowding the space with colour.

Pistachio, teal, turquoise and hot pink – with a sparse white backdrop. What a spectacular combination.

'Pretty Pastel Style' is published by Ryland, Peters & Small at £19.99 on 14 March 2013.