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Showing posts with label fabric. Show all posts
Showing posts with label fabric. Show all posts

Object of the day: Sanderson 'Manila'

It's holiday time of year for the organised among us. 

If that's not you (it's not me), or if your holiday is about open fires and British countryside, you could always bring the heat home instead. And these two prints, in Sanderson's new Manila range, would do it for me.





A good tip if you don't want to commit to wallpapering properly, or can only stretch to one roll of the stuff, is to paper a board instead – as above. Use MDF if your panel won't be as big as this one (the stuff weighs a tonne) or even plywood if sturdy isn't a requirement, and you fancy making it portable.

You could also buy a roll with a buddy and split it to make a bed headboard or fill picture frames, top an old table (smother it with PVA glue or non-yellowing varnish), renew a paper drum lampshade (get a hot glue gun – amazing things), spruce your stair risers (wallpaper paste and matt varnish)... Any other ideas?

The fabric could be fashioned in a similar way but using an artist's canvas stretcher.

The Manila wallpaper is £52 RRP per roll and the fabric is £49 per metre. Find it at Sanderson-uk.com


Object of the day: CUSTHOM's latest embroidered fabric

I've written about Custhom before: the young design company's particular speciality is their unusual and striking digital embroidery technique, which gives their textiles a tactile, 3-D quality.

Now they've just launched a new range of cotton wallpaper and fabric using the same methods.



The south London-based pair behind Custhom Nathan Philpott and Jemma Ooi only met – at the Royal College of Art – in 2009 but have already created designs for Anthropologie, Liberty and John Lewis among others.

This latest collection from them has been inspired by ancient Mexican Otomi embroidery: graphic and organic shapes combined to depict man living in harmony with the natural environment. The style is said to date back to prehistoric cave paintings in Tenango.



But Custhom have given it a contemporary twist, not least with their innovative use of digital embroidery which gives the patterns a sharp precision. Each piece design has been created with skilled British craftsmen who embroider onto non-woven paper or cotton fabric.

The textiles come in navy on an off-white background, or in off-black. The fabric is £126 a metre and the wallpaper comes in 55cm wide rolls and costs £84 per metre. Not cheap, but the work involved makes these pieces works of art. And a little, I think, could go a long way with a bit of creative use.

Do check out some of the other striking designs from Custhom: I would particularly recommend their distinctive Offset cushions, and the elegant Palladian collection, which features ceramics and textiles. I have particularly fallen for the Palladian Loop wallpaper. For a budget buy, they also sell some of the designs in tea-towel form, for £12.

Check it all out at Custhom.co.uk

Post by Kate. Images from Custhom

Can't afford the new Sheila Bownas sofa?

What do you think of this sofa/daybed, designed using fabric from the Sheila Bownas archive and created in collaboration with furniture-makers, Parlour? 

It's called the Edwin, and I think the shade of blue, the smooth solid walnut, 50s-ish legs and back and the classic, boxy shape make it very good indeed.

Alas, thanks to rather beautiful details like these...

...it costs £2400. But if you can't stretch to that, you might like the accessories in the same range.

The cushions, above, and prints, below, come in olive yellow, steel blue or grey. Cushions, £55 each.

The prints are limited editions and come with the official Sheila Bownas archive stamp (more of which shortly). They're 50x70cm so can fit into a standard frame, which saves a bit of money – and the prints themselves cost cost £65 each.

There are lamps in the range, too. These were designed in collaboration with English lamp designer, Zoe Darlington, and cost £125. The base is solid ash, and the shades come in two main colours: white or grey linen, with a choice of lining colours, again in the Edwin range fabric.

Check out the Edwin range at Shielabownas.com

The backstory of the Sheila Bownas range, in case you don't already know it, is an interesting one. The Yorkshirewoman and prize-winning Slade graduate exhibited five of her paintings at the Royal Academy of Arts in 1949. She then went on to turn her talents to textile design, producing fabrics for Liberty, Crown Wallpapers and Marks and Spencer. But it wasn't until her death, in 2007, that her family discovered a vast archive of other work in her studio. This archive was bought by superfan, Chelsea Cefai, a year later – she is gradually producing pieces that showcase Sheila's work.

Not a dissimilar rescue story to that of the company behind the archive of Australian mid-century designer, Florence Broadhurst. I have some of Florence's textiles in my living room; that massive monochrome canvas on the wall, above left, is one of hers – and there's more about that in this previous post about how to make expensive textiles or wallpapers go a long way. You might also like Florence Broadhurst's amazing rampaging horses fabric, which you can just see poking out (also black and white) in the cushion mountain on my sofa.

Post by Kate


Fabric of the day

It's been a while since I browsed the Ikea fabric department. And I'm rather liking these new-ish designs...


HÄLLEKNOPP, £4 per metre


STOCKHOLM, £6  per metre


TRÃ…DKLÖVER, £7 per metre

Because I'm a very lazy sew-er (I have a machine I was given on my 18th birthday. Back then I was an enthusiastic sew-er. It is currently rather dusty) I'm thinking the top and the bottom ones would make great half-bedspreads (no hemming, just fold – adorn bottom of half of the bed with the result). It's an instant bedroom refresher. I wonder what else I could do with some nice new fabric that wouldn't require excavating the machine...  

Excellent upholstery

This chair, which I posted on Facebook yesterday after lusting over it on Etsy got a lot of love.

So I thought I'd share it here for anyone who didn't see it (not in the YHIL Facebook loop? Want to be?). And for the sheer celebration of brilliant furniture re-invention, here are a few more too (and don't miss the wonderful job Out of the Dark did for me on a Parker Knoll a few months back, either, posted here). It all makes me wish I had the patience to upholster. Maybe I do... maybe one day, anyway.

African wax cloth armchair Here she is again. You can buy the beauty if you are in the States. Or, like me, you can dream of learning to make one yourself. What makes this chair so glorious is the zingy nature of the fabric combined with the age of the original chair (check out those brass-tipped, tapered feet... beautiful), and the almost obscenity of its depth. It looks extremely comfortable.

A floral flash This sofa is made by a cool Dutch company I have just discovered and which I will be writing more about soon. I love peach and emerald green together, and that the floral cushion is so small; it really stands out. Good sofa for resting your mug of tea on, too, with those arms – though not sure how comfortable it'd be in a sitting room. If you like the walls, by the way, did you see the amazing room I featured a while back where they'd used plywood to clad the whole room, including the floor? It was – surprisingly – beautiful. See it here.

Tasty Peruvian pair These two upright chairs have been tarted up with a Peruvian fabric. If you want to have a look at the transformation taking place, check out the blog post about it on the website of another new shop, A Rum Fellow.

Monochrome marvel This stunning fabric is the work of a South African graphic and textile designer called Sera Holland in her Cape Town studio. There's also a version of this chair with black woodwork, which looks striking; I like how modern the effect is. Black and white do create a very crisp finish. Sera does this design in different colours and on wallpapers and tea-towels and other accessories, in case you are local. See Sera's other designs at her blog, Handmade by Me.

'Mum, I'm on the PHONE!' Oh, those were the days. Telephone in the hall on a special table/stool thingamy. Well, I can't remember them, but I like to imagine that's what it was like in my house anyway. This beautifully olivey design is by one of my favourite re-people who make things, Heather Linnett, aka Eclectic Chair. She is based in Yorkshire and makes stunning antique kimono-covered cushions as well as reinventing pieces of furniture with panache. Her Facebook page is a good bookmark too, if you are an upholstery fancier. Which, if you've got this far, you probably are. Find out more at the Eclectic Chair website.

The super Sofa.com Emerging Designer Award

I love it when big brands do good stuff. And the Emerging Designer Award hosted by Sofa.com, in which the winning student designer will bag £3,000 and see their design put into production, is very good indeed.

But who would you pick? These are my favourites. Today at least. There is lots of talent and 15 brilliant shortlisted entries in total.




Natalie Raines from Nottingham Trent University, was inspired by Swedish 1960s textiles to create this chirpy repeat pattern, which began as a drawing of a stem of grapes




Sophie Berry, from Bath Spa University, has entered this graphic interpretation of cutlery in clean, simple monochrome.



Harriet Popham, at Swansea Metropolitan University, drew on traditional blue and white Dutch porcelain for this intricate, striking design



Ruth Duggan, another Nottingham Trenter, studied moths around a light to create the original drawings for this digital print.



Yvonne Shore, is the second Swansea Metropolitan shortlister. I think the combination of wool, muted, sludgy colours and bold black lines, look fantastic mocked up on the sofa.





Louise Coleman, also at Nottingham Trent, has played with the theme of the Mad Hatter's tea party, combined with inspiration from the Norfolk countryside.






Although the winner will be picked by a judging panel next month, there is a People's Vote (with the chance to win £1,000 to spend at the store): voting is a marvellously simple button click, and you can see all the shortlisters here.

House of Rose Repose

My friend Rose used to be my desk buddy; we shared a rented office space and sat side by side alternating the wearing of distraction-shooing headphones while typing madly, with the drinking of tea and gossiping wildly. 

I've mentioned Rose before, she now lives in Dakar, Senegal, where she alternates writing about the arts and culture, taking photographs of well-honed wrestlers and sewing things in excellent fabrics which she sells via her little company, Rose Repose (such as these ace cushions and aprons made of African presidents). And now we get to nose around her house. I love to see how differently people decorate their homes in different countries: I knew Rose's flat in London, and it was beautiful – but very London, even with her trademark fabrics all over it. This is very different – and an inspiring ode to recycling. So I'll hand you over to Rose for a tour...

"When I first saw the house I now live in, it was pretty much uninhabitable. Overlooked by developers and ignored by the owner, the garden was a jungle of creepers and the gazebo was rotten. The front door had rotted right through, and the bathroom had just a shower pipe coming out of the wall, and a ceramic shower tray on the floor (which I have taken out to make a bird bath for the garden). 

"The kitchen shelves, above, are where I keep my treasured things: my Wifi radio, a painted glass tray (top shelf) from a Dakar artist, a water jug from the Danish Design Museum, my Japanese coffee grinder, some little retro dishes commemorating the Glasgow transport system found in a Dakar crockery shop, and my much-loved Mason Jars from Kentucky in Rose Repose quilted covers.

"The room above is where I work on Rose Repose creations when I don't have house guests. The bedspread is one I made last year from South African fabrics and white linen. My cutting table was made by my metal recycler/furniture maker friend Laye. We went deep into the bowels of Dakar to find an old set of French louvered doors which he cleaned up to use as the fabric shelf on the bottom. The slats let the air in. 

"I spent a month working on the house to make it liveable (even though I only rent it) and now I'm reaping the benefits. It's the end of the rainy season so the garden, above and below, has come to life and a family of frogs has moved in. 

"I bought this watering can, above, by the side of the road. It's made out of recycled aluminium, but the holes are too big so all the water comes through the hose at once. Still, I love the shape of it.


"Outside the kitchen door I have my herb garden, above, and a beautiful shop banner from Vlisco, the Dutch wax cloth company. Vlisco is one of my favourite 'African' fabric makers (you can read about these kinds of fabric here and my friend got me this in the Congo. I'm sure it wasn't meant to be given away but it makes me happy every morning when I drink my coffee on the kitchen step.

"I re-built the gazebo in the garden, installed hammock hooks and Malian hammocks, and thatched the roof. After some weeks of searching, I found a man who came with a lorry load of grass from the Gambia, leapt on the roof and sewed it all together. On Friday nights I get out my film projector and we watch movies projected on the wall. There's no cinema in Dakar so we have to make our own fun. 

"I love this mirror in my kitchen. It's made from cut-out circles of oil drum, as is the top of the kitchen bench, below, both made by my very talented metal welder friend Diedhou who will make anything out of metal, as long as you draw a picture of what you want. 

"Another clever recycler is my Senegalese-Togolese friend Laye who made me a pot hanger from scrap metal and Coke bottle tops. 

"Laye also made me my bag hooks, below, from scrap, where I put my shopping bags collected from all over. Some are Rose Repose (the two on the left and far right) and the middle ones were gifts from my  favourite Danish designer Ubang.dk.

"The poufs are made from old washing machine drums which I found in a neighbourhood of Dakar which is a recycler's heaven. An old man was selling them from a 10 foot pile of scrap metal; he held my handbag while I climbed the heap to choose the good ones. I made the cushions from scraps of colourful jacquard left over from making Senegalese outfits and after much searching, found someone who could cut me rounds of foam sponge.

"I have big windows in my house, rare now in Dakar, so I get lots of light inside. My living room is home to my beloved banjo, my set of Rose Repose Presidential cushions, above, some photos from my wrestling series, a coffee table made out of old aluminium sheets from a printing factory and lined with pages from the daily wrestling newspaper and the local celebrity glossy, Thiof.

"On the other side of my living room are my other treasured things: a rug from Morocco, some stacks of fabrics collected from all over west Africa, a telephone I found in a junk sale around the corner, a gravestone head from Niger (middle left), my 1960s Russian stacking hedgehogs made from scrap gun metal (centre), and perhaps my favourite thing of all, my tilapia fish miniature coffin by Kane Kwei, from Ghana. Funerals are big in Ghana and this artist became famous for his coffin-art pieces which paid tribute to the person being buried. I was lucky enough to pick up a mini one last time I was in Accra, where I keep my matches.

"When I was in Mali, I interviewed the son of the famed photographer Malick Sidibe who is now running the studio. One day he photographed me in a Malian pose, and I got it framed in an over-the-top west African way.

"My veranda has a lovely comfy armchair which I got dressed up in fabric from my local salesman. 

"Some hot water bottle covers, above, that I'm working on for my Christmas sale, with the scraps left over from the bedspread.

"A few years ago my dad made me this sewing box, with a needle pad on the inside of the lid. It's one of my most treasured things.

"This, below, I use as my chest of drawers. I recently acquired a set of shelves which were too big for my living room, so I asked Diedhou my metal worker friend to make a set of drawers from oil drums. It took a lot of trips to his workshop to get them right, but they ended up just right. 

"Dakar doesn't have much in the way of furniture shops. "Everything has to be imported, at great expense, so the only people who import something as luxurious as furniture are the wealthy Lebanese community, who have their own style, which is not really mine. There is a local market for furniture, but the pieces are very tightly packed with foam and quite glittery and shiny. There is an ex-pat market for second, third, fifth hand furniture, but this is also very expensive, though I've picked up my chairs and sofas from departing Americans and had them refurbished by local upholsterers.

"I like having things made, since I have quite specific demands, but sometimes it's just that I got inspired by something and wanted something made out of it (like the washing machine poufs). It can be expensive (just because it's scrap doesn't make it cheap) and frustrating, because things go wrong, things get broken in the process, things are late or get forgotten completely. But when it turns out right, it's just the most exciting feeling.

Buy Rose's textile creations at Rose ReposeAnd read her post about a wonderful house in Mali, covered in amazing 1960s and 70s tiles.