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Showing posts with label john hinde. Show all posts
Showing posts with label john hinde. Show all posts

Object of the day: Brighton Beach goes technicolour

Please do bear with the recent break in my usually regular posts. Things will be back to normal within a few weeks – but meanwhile, a quick find I'd like to share.

I've seen this print – or, at least, very similar – in numerous interiors shoots, and I have coveted it HARD.

Tonight, while researching for the Independent Christmas Gift Guide that I'm in the middle of compiling, I stumbled across it on Clippings.com. Hurrah!

I was surprised to discover the photograph was of Brighton Beach, rather than somewhere glossier and hotter. Though when you look closer, it all makes sense. The image is by photographer James French, who has "done a John Hinde" on his final print, giving the colours a technicolour buzz just as the old English postcard master once did.

The limited edition prints start at £75 and are available at Clippings.com

(Ridiculously kitsch) Object of the day: John Hinde tin box

I'd gone out to buy something from the DIY store, but it had just closed.

On my way back to the car I had to pass the farmer's market, which sells all sorts of random stuff, not just food. Serendipitously I thought (always a good approach to impulse buying) I passed a stall I often linger at, full of enticing old bits and pieces. No need to feel sad about the closed DIY store – here, surely, was the real reason I'd left the house. I just didn't know it till I saw it...

My love for John Hinde postcards from the 1960s-1980s era, as several readers will know, is large, especially the Butlin's series, as seen on the sweet tin above, which the lady from the stall sold to me for £8. I was too excited to haggle.

These images and many more were immortalised in Our True Intent is all for Your Delight edited by Martin Parr, an oft-flicked through book round my house. The equally colourful story behind the richly hued photographs is one I wrote about in a piece in the Independent a few years back, in case you're interested.


Meanwhile, since these tins aren't common (a quick trawl of Ebay and Etsy revealed nothing, I'm afraid) I can at least lead fellow Hinde fans to a some alternative resources for a photographic fix.

There's the above-mentioned book (the photos from which look great in frames – as seen in my recent radical loo makeover), and also Surface View, where you can purchase giant prints of various JH postcards, in all sorts of formats. There's also the John Hinde Collection, a site set up by even bigger fans than I, where you can buy original prints, lovingly restored and stripped of their trademark technicolour tints. Well worth a look.

As for me, I just have to decide what to keep in my new tin. Any suggestions?

Post by Kate

Before & After: a dramatic transformation of the downstairs loo

Would anyone ever describe their house or flat as finished? 

Eight years after moving in, I'm finally getting around to painting that bit of bare plaster, tidying up those wonky shelves and changing various unsatisfactory light fittings.

And of course my tastes have changed since I first moved in, so there's a fresh round of updating too. So sometimes it's good to wait a while until you're really really sure – and why not eight years? – before tackling a whole room you just could never quite make up your mind about (or really face grappling with...). Voila, the downstairs loo as it was until recently...

OK, so the green paint went fairly swiftly ("It's like being inside a packet of Opal Fruits," one visitor commented before the hasty whitewash). That rushed paint-job, plus a temporary new loo seat, lasted way longer than they were ever meant to.

But finally there's been a bit of a change. And quite a drastic one. First job was to replace the horrible plastic loo cistern (the rest of the loo was fine – so we kept that). I had also been hankering after a black loo seat, after falling for the look in the bathroom photo in this previous post about Geraldine James's Creative Spaces book.

I also wanted to hide the horrible big pipe running down the wall, so that got boxed in, as did the horizontal pipes adjacent to it. Which left a nice little shelf for the loo rolls to live on.

We decided to keep the old basin. Why send something to landfill that works – it just needed a more forgiving context to shine. There wasn't much that could be done with the basin's pipes, though the existing, pretty dodgy, boxing in on the right got extended a little and tidied up to hide the pipe joint, and the chrome got a good polish.

Then there was the wall colour to choose. I had always wanted something bold for this little room – a downstairs loo is the sort of room where you can go a bit extreme without fear. So I painted the whole room...

...black. What do you think?

I had some paint left over from doing this to the kitchen, and I thought the colour could tie the two spaces together – whereas something bold and random could have meant you felt like you were walking into parallel universe upon opening the loo door. And I didn't want that. Still, it did feel like quite a risk. But I think I like it...

The stuff in frames is all quite boldly coloured, which works especially well on the black background. I love the 1960s Esquire cover, which my boyfriend acquired from a shoot at his old job at the magazine. The photograph is a John Hinde Butlins image, Stanley-knifed out of the Martin Parr curated book, Our True Intent is all for Your Delight: The John Hinde Butlin's Photographs. Check it out, it's a treasure trove.

The teeny portrait on the left is by Israeli artist Tali Yalonetzki, who I wrote about here after falling in love with one of her bigger paintings. I didn't move quick enough to get the original object of my desire, but this quirky little painting was special in a very different way and so I got it a a birthday present for my boyfriend. The print you can just see the top of, on the left, is the text-based map of the British Isles that Pedlars commissioned me to write a while back.

The new splashback has yet to be stuck to the wall, but you get the idea. I found these floor tiles on a trip to an amazing salvage yard not far from where I live (a post on that coming soon). I posted some photos on the Your Home is Lovely Facebook page when I first spotted them, covered in grime. They're still a bit knackered, but I don't think it matters.


I also bought the drawer pictured above from the same place that day. A bit of a random purchase, but I thought it'd make a fantastic shelf, as there's nowhere around the basin to put soap or handwash. You can see it on the wall in the reflection below...

And the idea was partly stolen from this image, below, which I found on the ever inspiring Design Sponge blog.

I like the idea of using the drawer pull as a hook for a hanging light. With that in mind, the original plan had been to find a regular drawer with a long handle, one that I could hang a small hand-towel from. After months of scouring furniture dumped on pavements while walking the dog, such a drawer proved to be elusive. And this one just looked good, even though it might not have been the most practical choice.

And you can see in the photo of the tiles in situ, I found another solution for the hand-towel, which doubles as a handle to shut the door behind you. It's an Ikea kitchen cupboard handle, and as it's designed to be bolted through to the other side of whatever it's attached to, I simply stuck it on with my trusty glue gun. So far, so solid.


Does anyone else have one dramatic room in their home? I'd love to hear about it...

Post by Kate



Surface View collaborates with the John Hinde Collection

I've written about Surface View and their brilliant wall murals before. 

Highlights, for me at least, have included gems by Hemingway Design and George Stubbs' Whistlejacket, from SV's National Gallery collection. I didn't think it could get any better – and then I heard about the new John Hinde collection...

Regular readers may know of my Hinde infatuation. And if not, and the name means nothing to you, a quick synopsis: John Hinde photography was the British company behind the UK's most iconic postcard images of the 1960s and 70s. 

Gloriously retouched, because real life just wasn't colourful enough, and – as I found out when I tracked down one of the company's original photographers to interview for a piece in the Independent Magazine – also routinely staged, the postcards are now nostalgic reminders of holidays from a bygone era.

The postcards also captured tourist spots all over the world and some of these examples, as well as some of the British ones, have been turned into these giant wall murals by Surface View in collaboration with the John Hinde Collection. The John Hinde Collection is not, in fact, anything to do with the original postcard company; it is a small organisation founded in recent years by two Hinde superfans who acquired much of its photographic archive and have since set about lovingly preserving, restoring and painstakingly re-colour-touching hundreds of the original photographs used to create the postcards.

Above are (from top) the Icod de los Vinos Wall Mural, the Florida Waterway and Beach at Dunn's Falls. Along with the other images available in the range, these cost from: £60 per square metre in wall mural format; £145 for a canvas print; £175 for birch ply prints; £60 for a poster; £125 for a textile wall hanging; £85 for window film; £85 for lampshades. You can even get the image printed onto ceramic tiles, though at £515 that might test even the most hardcore Hinde lover's purse.


Any of the options are a bit of an outlay, but when something is so very special, it's worth blowing the budget.

Find out more and buy at Surfaceview.co.uk

Post by Kate

Wish I was here...

Postcard courtesy of The John Hinde Collection
...but I'm at home in London. However, I am away – kind of, as I'm taking a blog holiday for the rest of August. 

Among other things (like getting finishing painting the door-frames I began four years ago, getting some pictures framed that have been waiting about three years, and picking up an eBay wardrobe from Dartford) I shall be working on the blog behind the scenes. It needs some love and attention. And I need some time to put my focus elsewhere, work-wise, for a short while. But I'll be back in September, just in time to get excited about the London Design Festival.

Meanwhile, if you like this 1970s Cornish postcard, you can read all about the story behind it in this earlier post, and on the other website I edit, Below the River. Or check out the John Hinde Collection (link in caption). Or just have a good old rummage around the site via the little "you might also like" preview boxes below this post.

And if you're away – have fun and holiday HARD.

x Kate

John Hinde Collection hits the Photographer's Gallery


I can never go too long without a post mentioning John Hinde's postcards. And it was starting to feel like it was about time to get his gloriously technicoloured 1960s and 70s images out again... 

...so how good to hear from Michelle Abadie and Marcus Davies of the John Hinde Collection with some news about our shared photographic hero.

Being able to see the original images that were retouched to create postcards such as this one, of Crooklets Beach in Devon, is fascinating for fans of the John Hinde studio. I've seen the original of this first-hand and the grass was bald and yellowing and if you think the sea and sky look suspect... well, they're not from Devon.













The duo have invested a vast amount of time and love into obtaining and restoring the original Hinde photographs and, fascinatingly, printing them up in their naked states – before the company's distinctive re-touching took place (swapping drizzly Morecambe skies for dazzling Greek ones, or giving drably dressed holidaymakers a primary colour makeover – more of which you can read about here, along with some of the mad tales from the dedicated team of photographers who worked for Hinde, camping out all summer long laboriously setting up elaborate and heavily peopled shots for the next season's picture postcard range...).

And now their images, which you can buy from the John Hinde Collection online, will be held by the Photographer's Gallery in London, so you can go to see them in all their glorious technicolour close-up. Get in touch with the Print Sales department at the gallery to find out more: printsales@tpg.org.uk